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#CampNanowrimo – Who has a better chance at winning Nano – a plotter or a pantser?

It’s Camp Nanowrimo time and writers are scribbling away like mad or letting fingers fly over the keyboard.

Or maybe staring at the blank screen?

Oh no!

Oh yes. If you’re a Nano participant, no doubt you’re cringing at the above image but truth is, it does happen to the best of us.

What could make that not happen? What could keep our writing time full and flowing like a forgotten turned-on tap? Maybe we should plot more. Maybe just learn to let go?

Which is where we come to the intent of this discussion. Who makes a more fluent writer? Who has a better shot at winning Nanowrimo? What kind of writers?

Plotters or pantsers?

If you’re novice to these terms, just to familiarize you:

Plotters: are those writers who painstakingly chart out every turning point in their book. They have worked out the start, middle and end of the book.

Pantsers: a term that arose from ‘writing by the seat of their pants’ i.e. writing without planning. These are the writers who while writing are figuratively flying in the mist, just seeing a little way ahead. They take an idea and run with it. They have usually no plan where the story will end up.

There is a new term going round these days. Plansters, who are a combination of both. Hmm are they immune to the blank screen?

What advantages plotters have

Obviously if you’ve planned your book, you have a huge advantage. You know what to write, what subject comprises your story. You’ve done the research.

Plotters usually have covered:

–  Storyline. That is, the plot points.

– Characters. Histories and profiles of characters. Some people write the characters’ whole history. I recommend charting out the details of three important events in various stages of their life at a minimum. I’ve covered that in my post on what to keep in mind while writing a short story.

– Lowest point. Crisis.

– Resolution.

Some writers write a rough outline for each chapter while few even do a detailed outline down to every event.

So is all that detailing useful?

Disadvantages of too much plotting

With all the story milestones marked out and the journey charted out, it may seem plotters wouldn’t have to face a blank screen. No, not true. I’ve written by plotting and I know I lost interest. Some things didn’t sound right. The characters wouldn’t go where I wanted. Or if they did the actions seemed illogical and just ‘not them’. The plot seems contrived.

Why?

The disadvantage the plotters face is that when the characters face a point, a pinch point, they react. It affects them. When the author was plotting, she didn’t detail how it would affect them. If she took this into consideration, fine. But mostly characters develop in the book and (in my own experience) refuse to go where you lead them. That’s when your story and your plotting starts shaking like a house of cards. Trembling. Threatening to collapse in the gust of wind of confused writing.

And then the Nano goal recedes further and further away.

The other disadvantage the plotters face is boredom. You know what is going to happen. There is no newness, no unexpected twists surprising you. Your scene length will shorten. You may end it quickly just to finish it off.

Plotting too much can make you get bored with the project. There is no sense of wonder and you start feeling like it’s work. And work can be tiring. Fun goes out.

What advantages pantsers have

A fresh voice. Your writing sings with excitement because you do too while doing it. A scene just started out may extend to cover a whole chapter. Your word count climbs. Every day is a new one. A mystery. A quest to find more about your story.

Disadvantages of pantser-ing

Suddenly the excitement fizzles out. What now? You’ve poured out the idea but now your characters refuse to talk. You made them run away from the pursuing criminals. Drop onto a glacier. Got them rescued and dumped in Las Vegas. Well…what now? They don’t seem to be in the mood to move. The king pin is still missing but your protagonist has lost the will to hunt the villain down. She would rather stay where she is and enjoy herself than go face the bullets. (well, wouldn’t you?)

So, what’s the verdict? Blank screen is common to both kinds of writers. Or in fact any kind of writer. Seems it’s a nemesis we have to find a way to deal with.

How to get rid of the kryptonite of blank screen.

Well, to tell you the truth, there’s no surefire way. It’s what’s called the writers’ block and comes and goes on its own. That’s because several factors account for it. Check out my post about how to beat writers’ block to read more on this.

But I’ll discuss here a few things which can help you retain your particular way of writing whether you are plotter or pantser. They are conclusions based on my own struggle with both ways of writing. I’ve tried plotting, though not detailed, but I used to write my story scenes ahead of their chronological order. That cost me huge chunks of time, as I would later struggle to put these ‘brilliant’ scenes in the story but fail to gel them in. Then I’ve tried to write without working over an idea, sped up by sheer enthusiasm but that has ended in tears too quite a few times. I’ve tried both ways, sometimes in the same book. So I began to analyze what worked when I finally finished a manuscript. Here are my tips to clobber the blank screen.

For Plotters

Never plan too rigidly. Keep some space to allow characters to grow. Have a plan but let it be flexible, even vague at places. Allow the deviation when the character demands it. The turns and twists in your story will give it a newness you’ll find irresistibly alluring. So the charm of writing is reborn. It’s no longer a drag of a job (well it is, but you know what I mean. Within the drag, there is fun. Breaking free like a tiny sapling from soil. Ok, no more tired old metaphors.)

For Pantsers

Planning is not in your blood but do plan what your characters stand for. What they have set out for and whether they will or won’t get it. Even that much of guidance could keep your story on track.

Hit or miss? What is common warning signal for the blank screen of plotters and pantsers?

It’s this focus – or lack of it – on the characters. They are going to chart out the book for you. Twists and turning points can be to drive the plot but even they will have to be put in according to the characters’ journey. So, be sure you know your protagonist. If you’re stuck, you don’t know her too well. One suggestion for a time like this. Sit down and write a conversation with her. Interview her. You will find new insights to shape your story.

Hope you’ve found this useful. What kind of a writer are you, love to plan or make it up as you write? Or a mixture of both? How do you handle the blank screen?

All the best for Nano and also for any forthcoming competition you undertake.

Keep well. Write with love.

 

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How to Edit – Guest post – Editing for Historical Romance by Aarti V. Raman

Writing anything, even an email, requires editing. Typos, unclear sentence formation, jumbled homophones…the pitfalls are innumerable. In fiction writing, it is often hard to decide when enough editing is done. Too little and you haven’t tightened enough. Too much and your writing ‘voice’ is lost. So how to edit the right way? Today I have newbie historical romance author Aarti V. Raman here, talking about her editing process. She has some awesome ideas about how to go over your work with a fine tooth comb.

Take it away, Aarti! 🙂

Winston Churchill, in his missives to his Chiefs of Staff, at the height of World War II, would only write two words: Action, Today! In my humble opinion, he is the best example of an editor: succinct, precise and visual.

I am in the process of editing my MS “Lucas: Book One of The Lords Of Devil Manor”, coming out with Knox Robinson Publishing (June, 2014) and it is, surprisingly a fun but uphill task. For one, it’s about 10000+ words in length. For another, typos are the bane of my life and I am diligently hunting down every one of those little suckers and eradicating them from existence. Like I said, fun and uphill.

I have no meticulous process that I follow, while making structural or line-edits (I am doing both now). But I do try and keep a few things in mind, anyway. A few key pointers, if you will.

  1.       Language: In HR (Historical Romance, to the uninitiated) LANGUAGE is everything. Common slang that we take for granted today, did not exist then. While writing and editing HR, it is imperative to remember this rule, which can only be followed, if you READ a lot of HR because otherwise your language takes a lot of hits and the work becomes sub-par. You do not want that. So, for instance, “maybe” becomes “perhaps” and not necessarily “perchance”, which would be correct English. “Butt” will ALWAYS be “Arse”. And there is no such word as s#@t.
  2.       Continuity: This rule also pertains to language, and can be applied to every MS you write. STICK to one default language. If you are writing UK English, stick to it. “Neighbour”, “candour” etc. If you are following US English, like I do, don’t veer. “Color, hasn’t, and ain’t” are allowed. Readers are critics. They will spot these snafus faster than you can say ‘Chicago Style Guide for Editing!’
  3.       Rewrite: Now this is an extremely sensitive and subjective matter. I like what I write. That is why it is written in the first place. Also, I, thankfully, have a very clear sense of place, time, pace, plot and character before I begin the draft. Unless absolutely required (and usually at the publisher’s behest) I do not rewrite. But, that being said, when it comes to publishable MS like “LUCAS” I double-triple-quadruple check to make sure nothing more or LESS can be done. That each scene is exactly where it belongs, so the story is given the absolute, perfect presentation it deserves.
  4.       Adjective/Adverbs: By the time, the book is accepted by a publisher, all the little flourishes of ‘Lucas said softly’ and ‘Annabeth exclaimed loudly’ should have been weeded out. Post-haste. But, if they aren’t, that’s what line-edits are for. Remove every extraneous word (especially adjectives and adverbs) and tighten your story. (Plus, this keeps it under word count too!)

 

These are just a few basic things I am trying to implement to really shine “LUCAS: Book One of The Lords Of Devil Manor.” And I will continue to find newer ways to make it work, so that you, the reader has the most enjoyable experience with it. That is what good editing does to a MS. Elevates a good book to a great one. I hope, my little pointers will be of some help to you.

Do wish me luck too.

Thank you Ruchi for having me at your spot, and till next time,

Xx

Aarti V Raman aka Writer Gal

Hope you liked this post. Do you have any tips to add? Leave them in comments below. We can all learn from each other’s knife wielding! 😉

Six Tips for Writing First Chapters of Your Story

Nowadays, writing competitions have become quite the thing for publishers to draw in new talent. Having found my way into publishing through a writing contest myself, I’m all for participation in these kind of online hunts. Some require a full manuscript like the Harlequin SYTYCW. Most others however just require your story’s synopsis and a partial. Like the Passions contest that Harlequin holds every season in December-January for aspiring Indian authors. It is ongoing and you can check out the details here. Last date to enter, 25th Jan, ’14.

So how to go about preparing for a contest? They say, well begun is half done. Well prepared is target secured. Any contest is both difficult and rewarding. Difficult as it takes nerves to enter and rewarding because one always learns from experience. Writing contests are no different except that an aspiring writer contestant is especially sensitive to rejection. It’s important when you enter a contest to first keep in mind that ANY outcome is possible. Second, to repeat to yourself, ‘I’ll give it my best shot.’ Over and over. If you do, you’ll have no reproach for yourself at least, however it ends…and who knows you may be next one shortlisted! From my experience of entering writing contests, and winning both of them, I’ve compiled some tips. Also I’ve included the input from all I learnt during the writing of the initial chapters of my first book, Bollywood Fiancé fora Day and the second, You Can’t Fight A Royal Attraction I’ve listed them in order of what looks important to me:

Opening scene: The opening scene should draw the reader in. Right into the world you have created. What is your character doing as the story opens? What is she/he feeling? Is your character worried while driving? Does she accidentally miss the turn signal of car in front? What happened then? Create a situation where the readers (or your judges) can’t help but read on to find out what happens next.

Build a problem: Is your heroine (or hero) in trouble? Why? Who could help her? Why wouldn’t she take help from him? Always go deep into a character’s reasons. Why. That simple word leads to so many possibilities. The late Penny Jordan, romance author extraordinaire once said, the most important of the tips her editor gave her was: always ask why.

Interaction of characters: In romance you have two main characters. Have them in the scene together as soon as possible. That sounds like a tall order for a first chapter. You would say, what about explaining the setting, the situation, the background? But just think, if you don’t show them together here, you may miss the chance to make a strong initial impression. The first chapters, mostly first three are asked for in a partial, should not just set up the story but also hint at the first turning point. So have your characters interacting as soon as possible. Show what the heroine feels for the hero and he for her. How do they happen to be in the situation? Is it planned? Or coincidence? Does she want to avoid him? Will she succeed? Build up the curiosity factor.

Tension: Show the tension between the characters. Awareness. Attraction. Conflict. Does she drop something in her confusion when near him? Most heroes aren’t bumbling but a little tug at his necktie would be endearing, don’t you think? Tension between Hero/heroine is a must in a Mills and Boon! 🙂 And even in other genres, tension, implied and manifest, is a desirable ingredient.

Sympathy for the characters: Have the reader sympathize with your character. If the hero turns the heroine’s troubled aunt out of her house, it’s a very strong conflict between the characters but would the reader sympathize with someone like that? Would you? You’d most likely kick such an insensitive brute. Always keep your character if not lovable, at least understandable. For more on characters, go here.

Make it read-worthy: Last but not least the grammar. Spell check. Read. Revise. Watch your tenses. Double check your verbs. Make your presentation the best it can be. Also always follow the specifications given under the contest rules.

So do remember, begin with a strong opening scene, build a problem, have your characters interact and show tension between them. Make your characters lovable, always spell check and make your work presentable.

Sharing your work can be scary. If you’ve submitted or made a decision to submit your entry to a writing competition, you’re already to be congratulated. If you’re reading this to improve it, double congratulations, because you have decided to go after this writing thing and you’re already interested in making it better. So are you trying your luck? Good luck to all the entrants and remember, if you’re pursuing your dream, you’re a winner!

Write with love,

Ruchi.

Let’s talk Nanowrimo a little while longer

Did you take part in Nanowrimo? So what was your experience? Are you the one who has come away chest puffed out with pride, a swagger in your walk and brimming with confidence in your writing? Or are you the one who’d run away screaming if the word happened to be mentioned within your hearing?

Here is what I came away with from taking part in Nanowrimo.

First, I think it’s worth taking part in it and yes, I think every writer should, if only as an exercise in disciplined writing. There’s nothing like it in putting writing to the forefront of your mind and not just let it be one of the things in your to-do list, as it happens to become. Even the most dedicated writers find ways to get distracted in today’s world, all too easy, at least for me, so enrolling in a must-do competition is definitely profitable to your productiveness.

The important lessons I took from Nanowrimo, and in winning it – yes, didn’t I mention I made it? well, I did 🙂 – are these :

Muse was no longer moody

This was one of the surprises Nano sprung on me. At around the midway point I was doing it half-heartedly, not sure I could do it with the things I had on my schedule. I was around 13k words in and I thought this was the moment when I had to either really try or let go of it and attend to ‘life’. So making a decision, I got to it, with no clear planning of the story. A wonder happened. Instead of my muse retreating under pressure, it became like tiger with a prey. Let me at him. Words came easier the more I progressed, failry spilling onto the screen till the keyboard chatter became music to my ears. Well, sort of. It felt nice to say 😉

Random things put in tied up

Miracles happened. What else could I call it? I hadn’t the faintest idea about the end of the story. Then the last day a light bulb moment occurred to devise the end. I just put in something random like khanabdosh ie gypsies – can’t get more random than that, can you – and it yielded result. It tied in perfectly with the hero’s plan and also made the hero action oriented. The pieces just fell in place.

Didn’t make time, generated it 

That’s what it felt like. I began to look for writing moments actively and scribble away whenever I got time. I wrote no matter what, charged by coffee, comforted by chocolate. I wouldn’t say I got disciplined because that means being organised in your whole day. which I definitely wasn’t. But giving no attention to the daily hassles of everyday world, which did a fade out as soon as my fingers touched the keyboard, I was off. And getting lost in make-believe felt better and better. Though, it isn’t what I can afford to do every month or even every other month, for getting writing done in heaps, it works.

Cheers count a lot

I learnt that company matters. The online group writing sprints, or just catching up and reporting progress, it all helps. Accountability is the trigger of discipline after all. If you have folks cheering you on, nothing better. In fact I couldn’t have made it without my Wrimo group friends egging me on.Thanks, folks! 🙂

So what’s your take on Nanowrimo? Should or shouldn’t? Did you attempt? If you didn’t, why not. What are the advantages or disadvantages of Nanowrimo? If you had taken part, would you do it again next year? Why or why not? Let’s talk Nanowrimo for a little longer…

Keep calm Nanowrimoers, it’s not 30th Nov yet!

To motivate the Nanowrimo participants, I’ve posted this on the Wrimo India blog. Read on…

So you’ve taken the leap into the giant wok of Nanowrimo and now find yourself floundering in the slippery oil of written – and unwritten- words. All around you, people are announcing they have crossed the mark, causing the pressure to mount as though you are the last wicket of Team India on the crease, required to score a winning six. A difficult but not impossible task. So keep calm. Not the count-to-ten type of keep calm. Rather, take a deep breath, roll up your sleeves and get typing. Yes, buddy, this is no time to be complacent!

Before we discuss the strategies which might help us go on, let’s examine why we lose our cool in this war of words J

Causes of panic

Help! I didn’t save my file The very top-of-the-list problem. And the most dangerous. It’s one of the things easy to know in theory and far easier to forget in practice. Nowadays you have a number of ways to backup. Dropbox. Pen drives. Hard disk storage. Even easier to do, just email the work to yourself. Back up, back up, back up…should be your hourly or rather every minute mantra!

My Muse has absconded! Muses are so apt to do that. Just when you need them the most. Though you might wish to, you can’t catch and bring back your Muse by scruff of his/her neck. The blank screen is the writer’s arch enemy but you have to find a way to beat it. One sure way is to read over what you’ve written and find that link, that off shoot that you forgot to explore. Now is the time to blend that loose thread in your story and make it stronger. Maybe your character left an old job to take up the current position. So why did she leave it? Get to the reason and it might show you a side of your character you never thought existed. Now you can write with a deeper understanding of your character.

For more ways to beat the writer’s block, check out this post from me.

Inner editor has woken up! The Inner Editor. Visualize Skeletor. Doctor Doom. Mahishasura. Inner editor is the enemy of the state for Nanowrimo-ers. There is only one weapon to tackle it. Only one word. IGNORE. Or prepare for your Nano winning dream to crash. This is not the time to worry about inserting the proper synonym or tempering your excessive adverb indulgence. Whether you write ‘walk quickly’ or ‘run’, just describe the action and get on with it. December is for fussing over things like that.

Now the positive steps to take to win this race. Read the rest of the post here.
So how do you motivate yourself or others in writing? Comments are always welcome.

Five Ways to get past the Writer’s Block

This is an edited post from my old blog. Thought it might be useful for those having one of those days in writing.  So read on…

When words won’t come…

A writer is most happy writing. Yet sometimes our jobs, family life or even writing schedules become so humdrum that words are difficult to put down. Even more likely, the words are there but the will to capture and put them down in proper order just isn’t. This last happens to me more often than not. I can happily daydream perfect sentences and even scenes in my head but when it comes to putting them on paper or the keyboard, it seems too much like work! There is no FUN that writing is supposed to be. So what do we do when we need to get the words from our head to our fingers? Or even get them forming in our head, when creativity just seems as elusive as rain in an Indian summer.
First is it a block? A rock which can’t be got over? Or just a pebble you are looking at from very close up?
Are you making too much of a minor problem? Are you just tired ? That’s the first thing which dries up the drive to write. A good night’s rest or playing hookie from writing if you don’t have a deadline looming can do the trick. It’s very well to tell ourselves we must be regular but Sunday was made for a reason, you know. New experiences, meeting friends, even cooking a new recipe, trying out a new eating place, can all get you away from dwelling too much on your frustrations. Distract yourself from the problem. It has the scientific basis of freeing our synapses from impulse overload so that transmission can resume without the offending psychological fatigue. The reference of psychological fatigue brings us to the next question,

Are you sick of your work in progress?

This doesn’t imply that your work isn’t right or not proceeding the right way. It can just mean that the routine  has got overwhelming. You’ve been ‘living’ inside the heads of the ‘same’ characters day in and out. Thinking in their skin. This can get tiring. It does for me because I write emotional stuff and and to write with feeling can be exhausting. You need to replenish the store. Or sometimes the characters can for whatever reason not just talk to you. (you’ll either get this or think I’m a lost cause.) Staring at the blank page is just not helping. You can do any of these in such a situation :

Take a walk.

I read somewhere it was someone’s top Writer’s Block Curing Tip and it is mine as well. A walk, preferably somewhere you can admire the serenity of nature, will do wonders. Must be why Keats wrote ‘Ode to Autumn.‘ ‘Ode to a Nightangle‘, Robert Frost wrote ‘Birches‘, Wordsworth wrote ‘Daffodils‘. Nature has the magic spray a whiff of which can cure writer’s block and a daily dose serves as a tonic which builds your resistance like Vitamin C building resistance against colds 🙂

Mull in isolation.

Writing begs solitude. Mental if not physical as well. This isn’t always possible. But even if you’re shut up in a room or just not talking to anyone else, it can serve. At a crutch, you can pretend to be reading. If you have music blaring in your ears, it can serve. For me, waiting for something to cook, when family thinks I’m busy in kitchen does the trick 😉 Activities which keep your hands busy while not requiring active mental engagement can serve. Washing dishes, cooking, maybe driving for some…you can devise your own. You can feel and think your characters through in those minutes and sometimes get startling ideas. Of course keep your device or pen handy for these times as memory can be very short term. A blink and it is gone!

Read over what you have written

This can provide insights you have missed. But you must read the right way. The ‘right’ way for me means taking apart every dialogue and thought of the character or characters and see if it really fits them. Have I missed some hidden motivation because I was in too much hurry to pour my thoughts on the keyboard? Or too taken up by the ‘beautiful’ (to me atm anyway) metaphors my brain had come up with? Language and expression has a way of cloaking your character’s real thoughts and motivational twists, I’m still learning this, though it’s happening less frequently than when I began seriously to write. A chance phrase would crop up and I would ignore what my character really would say in a scene just so I could use that phrase which at that time sounded witty. Writing is trickier than driving an obstacle course, I tell you.

Face it, you could just be acting lazy

Yes. Writers are also human beings so why can’t we have our weak moments? But too few of these and you get into the habit of shelving your work. It just wouldn’t call out to you that alluringly if you start to feel it’s a drag. So you have to dredge up enthusiasm when it isn’t there and suddenly after you type half a page, you are IN the story and it’s there. It’s happening. I read in a Reader’s Digest article that the motor system of the brain can influence our emotional state. For instance, smile, even when it’s a plastic smile and sometime later it can become a real one. Start writing, move those muscles, act like you love it and viola! a minute later, you are! Okay, okay sometimes it takes half an hour. BUT YOU GET SOMETHING DONE. Yes, writing is supposed to be something we love to do, but mothers will remember how sometimes kids can make you feel so unloving, yet you mother them. Same is the way with writing. You have to DO it even when you don’t love it. Kick that writer’s block by banging your head against it.

Slack off but only in very small doses. Make up in a big way. Write with love or by gritting your teeth but just write.
Which reminds me, I still have to type the scene that came to me yesterday when I was staring out of the window :p

So did you get anything out of this post? What are your secret tips on beating writer’s block. Do share!

Five tips for Nanowrimo success

It’s that time of the year again. Nanowrimo begins! Soo many of us are gearing up to take part. Are you?

I’m going to share here five tips to meet the furious demand of churning out words and win the coveted badge.

Before you ask, I haven’t won Nanowrimo. Not once. Well, I participated just that occasion. But I have finished 30000 in less than 15 days.  *takes a bow* Twice I’ve also managed  >40k in a month. Of course there are people out there writing more and even more speedily. What can you do to raise your word count, even when you have work and home demands which can be shelved for a short time but not totally ignored? Here are my tips for speed writing your manuscript.

Plan

For some people planning makes them feel more organised while some feel it crushes their creative freedom. However, planning at least the roughest idea of what your book is about, where do you want it to go, etc. will give you a framework of your story. You do plan what genre to write, don’t you? You also plan the location of your story, the characters’ jobs etc. At least during the initial stages of your woriting. So also plan the main dips and curves ahead. Even die hard pansters who ‘wing it’ will find it better going if they have some idea of the main pivotal points and definitely more than an idea of the characters. Their goals. Motivation. Conflict. Otherwise you might find your inkwell and your imagination well drying up before halfway through the month. Might. The advantage of planning is that you still have something to sink your teeth into in those rushed times when your muse gets sluggish. Get your characters charted out. As I mentioned in my short story tips post, one important incident at least from each of their stages of life will help you know the character better.

Choose the story you’re most excited about

What is the thing you have to talk about? The tale it’s ultra important to tell? You can only write when the subject moves you. When you’re bursting to have a go at it. Get thinking. Experience. Find what echoes with you and gets you…no, zings you right into the story world.
If possible write 20-25 pages beforehand. That gives you an idea where you should start the story. I don’t think it’s cheating 🙂 Write them then bury them in some other folder. Start afresh on first November.

Ignore the internal editor

This is self explanatory. It’s very, very easy to get caught in the fatal embrace of internal editor. So it’s crucial that you don’t start with the revision process while you’re writing. This happened to me when I first joined Nano. I went back and read what I wrote and tweaked and tweaked some more…and then I didn’t like this…didn’t like that…it went on and that story is still only 15 pages done 😦 So ignore the temptation to make it ‘just’ a little better. December is waiting to get all that done.

Don’t expect all days to be fruitful

Certain days are bound to be better. I’d write 4k one day then sink to 350 the next. Don’t fret about it. Go catch a movie or read a book. Some days are unproductive; you just can’t help it. But indulging ‘off days’ might be just a case of allowing your imagination the lubricant oil of rest. Once the mind settles, ideas start to filter back. Look out for my upcoming post on writers’ block on how to nurse your creativity back to health. 🙂

Don’t mull on it all the day

You’ll get bored if you keeping things of nothing but your WIP all your waking and sleeping hours. Ultimately, you might start to hate it. It begins to seem like work, instead of fun which it started out being. The moment you get up from in front of the keyboard, try not to go back over what you’ve written. If something brilliant comes to mind, make a note. But don’t go over and over a problem again. If you’ve run into a figurative brick wall, go out and do things in between. Fill your muse with inspiration. Most of us rehash, because when you get a load of writing done, it seems like the most exciting thing in the world but take it from one who did it too many times. Thinking too much about it, spoils your story. Yes, it is the antithesis of my previous planning advice but still it has to be said. Plan what your next scene is going to be within an hour or two of your next writing session. Not before.

Of course all advice in writing varies from individual to individual in its usefulness but these are the general tips to keep you on track. A bonus piece of advice. Don’t limit your writing to your official writing time. Carry your current chapter on your phone, notebook, paper napkin ;)…anything which works for you! In those moments when you have to wait for food to cook, travel somewhere, in the waiting rooms, during lunch break at office…seize the opportunity and scribble. That’s a covert and effective way of building word count. 200 words short sessions pile up into big ones and you get that feeling of achievement which is a spur to do more and more!

Good luck to all Nanowrimo participants all over the world. Go make your manuscript happen.

Did you find these tips worth pursuing? What are your own speed writing secrets? Have you ever won Nano? What most helped you make it? Do share your views.

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